Katharina Sykora, Ulla Fischer-Westhauser & Uwe Shögl, Editorial: Migration as Agitation: The Photographic Beyond the Image, PhotoResearcher No.26, 2016, pp1-9.


Nils Thorsen, DR Beskyldt for plagiat i 'Arvingerne', Politiken, 28.11.2016.


David Pagel, Photographer Ori Gersht's 'Floating World' at Kohn Gallery casts a spell, LA Times, 1.9.2016.


Hedy S. Wald, Commentary on Big Bang, Academic Medicine, Vol. 91, No.7, July 2016, pp952-953.


Tom Seymour, My best shot: Ori Gersht, The Guardian, 12.5.2016, Arts p19.






Gunnar Schmidt, Die Ausloschung Des Bildes Im Bild, Kunstforum, Apr-May 2015, pp87-93.





Alexandra Stara, Traces of Trauma: The Photography of Ori Gersht in 'The Edges of Trauma – Explorations in Visual Art and Literature', Tamas Bényei and Alexandra Stara (eds), Cambridge Scholars Publishing, Newcastle Upon Tyne, ISBN (10): 1-4438-5342-9.






Hava Aldouby, Re-embodying the Electronic Image: Painting as Body in Contemporary Moving-Image Art.


Andrea Blanch, Ori Gersht: Between Two Truths, Musée Magazine 7 vol.2, 2013.


Tom Slevin, Technology, Philosophy of Photography, Volume 4 Number 2, pp205-215.






Julia Weiner, We Have a Responsibility to Hold on to Dark Memories, The Jewish Chronicle Online, 16th Feb 2016.






Vicky Lowry, Ori Gersht, Elle Decor, October 2011, pp136-138.






Jean Wainwright, Ori Gersht: Places That  Were Not, HotShoe, Feb-March 2010, pp84-85.






Carol Armstrong, Ori Gersht: The Angel of History, Eikon 66, May 2009, pp26-31.


Paul Flynn, Ori Gersht, Artist Profile 8, 2009, pp60-64.






Carol Armstrong, Art and Violence: On Ori Gersht, Portfolio 47, May 2008, pp24-31.


Miranda Gavin, Ori Gersht: Time After Time, Hotshoe Dec 2008 - Jan 2009.






Jean Dykstra, The Ultimate Present, Art on Paper vol12 no1, September-October 2007, pp34-35.


Ori Gersht, Exploading Flowers & Other Matters, Exit 28, 2007, pp44-49.


Sarah James, What Can We Do With Photography, Art Monthly, Dec 2007 - Jan 2008.


Amanda Loomes, Ori Gersht: War & Flowers & The Lessons In Between, Total:Spec 25, Oct 2007, pp124-125.


Jean Wainwright, Time After Time: Ori Gersht, Next Level 13, 2007, pp40-45.






Richard Dyer, Towards the Re-Presentation of History: Ori Gersht in Conversation with Richard Dyer, Pluk 28, Jan-Feb 2006, pp28-33.


Toby Haggith, Ori Gersht - The Clearing, Film Wave Art Insight, 2006, pp16-17.


Skye Sherwin, Blood Harvest: Ori Gersht, Artreview, October 2006, pp126-127.






Miranda Gavin, Distilling the Essence - Ori Gersht's Liquidation, HotShoe, Oct-Nov 2005.


Ori Gersht, Lest We Forget, Cent, 2005.


Adrian Searle, Secrets of the forest, The Guardian Culture, 20.12.2005, pp18-20.







Mark Rappolt, Being and Nothingness, Modern Painters, 2004, pp90-93.






Joanna Lowry, Being There, Photoworks, 2002, pp32-34.


David Brittain, The Knowledge Factory, Portfolio 35, 2002.






Ori Gersht, White Noise, Hotshoe International, May / June 2000, pp14-19.










Elad Bilo, Floating Voice, Calcalist, 8.9.2016, pp30-31.












Lia Levin, The Flaneur, Yedioth Tel Aviv, 4.11.2011.


Aviva Lori, Moshe and Ori Gersht, Haaretz Supplement, 9.9.2011, pp70-71.






Hagit Pelg Rotem, A Portrait of an Artist as a Test Case, Globes, 26-27.5.2010.






Tamar Karavan, Artist of fading Memories, Beauty and Violence, A Ear Te Aviv, 19.9.2008, p31-32.


The Marker






Dana Gillerman, Leaving Mark in the Forest, Haaretz Galleria, 15.9.2006.






Yilan Nahshow, Home Ground, Yedioth Ahrnoth, 7 Days, 10.5.2002.